Nasty Horror

September 17, 2009

From Hell’s Heart I Stab at Thee! For Hate’s Sake I Spit My Last Breath At Thee!

Filed under: Comic News, Comics Review, Horror Comics News — nasty horror @ 9:04 am

Dark Horse Creepy 2 cover horror comicsWhat should have been a week, became almost a month. Yes, kiddies, it was last month that I made the commitment to review each and every story in Dark Horse’s Creepy issue #1. I had two reasons for doing this.

The first was my mistaken belief that it would help me get used to writing everyday. It didn’t.

The second, was the need to really bitch out loud about a couple of the stories in the magazine. I wanted people to see that I could do more than just bitch. I hoped that writing reviews of the good stories would balance it out. That didn’t work either.

Free at Last…

The issue is over. Save this last couple sentences I never need to write about it ever again. Let’s get the last review out of the way quickly, shall we?

The last story in this new horror anthology was a reprint. It was called Daddy And The Pie. It may have been cool in the fifties or whenever it was originally carved on a cave wall, but in 2009 it just doesn’t cut it. Written by Who Cares, and illustrated by I. Dongiv Ashit.

I originally thought the story was one of the better ones in the rag. But that has changed. It was not a horror story. It was not new. It should not have been there.

When Creepy Did Not Suck…

The real Creepy magazine (Creepy TOS) had twice the number of pages as the new one does. If they are going to keep the page count so damned low, they don’t have room for reprints.

Many have said that it’s so wonderful that there are no ads in it. I disagree. Add about 20 pages even if they are all ads. The magazine will be better. I like seeing other things of interest. I think of ads as a service to me, not an imposition. (unless they’re Join-the-Fuckin-Army ads.) But if they are ads for things that I would like and otherwise would not know about, bring them on! I have no clue how often the best thing in some of the comics I have read has been the ads, but it’s pretty often that’s for sure.

Now that I have gotten this unnecessary challenge out of the way I get to write about things that are actually good. I recently got 2 new comics that are very good indeed. One of them is House Of Mystery and the other is Darkness: Pitt.

Come back soon kiddies and you will hear about good horror, and see way better images.

Oh, and the next issue of Creepy comes out in October (Joy). Let’s hope these guys have read my posts and improved the mag. I will buy it of course, because it’s my damned job. But if this one doesn’t show a marked improvement over the last one, I will not be as nice about the whole thing as I have been.

I need a shower.

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September 13, 2009

The Devil’s In The Details (and the filler)

Filed under: Book Reviews, Comic News, Comics Review, Horror Comics News, Horror News — nasty horror @ 9:44 am

Creepy LoathSome lore hilary barta horror comicsWelcome back kiddies. Can you remember all the way back to the second or third article in this series, where I told you that when I got to the second last story. You have to remind me about something? Well this is it. This is the second last story. It’s also my second last article. The Horse at this point has been reduced almost to the point of a puddle. But I do have to get the last couple whacks in.

Then, I can finally get on to some more very interesting comic books that I found recently. The story I’m talking about today, is titled Loathsome Lore “Faustian deals”. It basically is a rambling narrative, which speculates about certain celebrities having been in league with the devil.

It’s interesting comic books stuff. The story is credited as “Haufner, Braun, and Gore. And the art is by Hilary Barta. As I said in a previous article, much of the writing in this particular piece seems to have been lifted from a 1974 issue of Hustler magazine. (That was the one in which they had the article, about Anton Szandor LaVey).

Now I have to complain about an editorial decision made in the magazine. As I said before, I had never heard of Robert Johnson before the story Hell Hound Blues. I naturally thought it was just made up for the story. That story was the second story in the magazine, Faustian deals was the second last. But in it it referenced the deal that Robert Johnson made with the devil.

I believe these two stories should have been switched in position, for two reasons. The first is that it would’ve allowed Loathsome Lore to introduce the concept of Robert Johnson’s deal with the devil before it was used in a story.

The second and possibly more important reason to switch these two stories is that Hell Hound Blues is the best story in the magazine. It should have been second last. Well, actually, it should’ve been last. But second last still would’ve been better.

As for the writing of this particular tale. It seems interesting enough. It is not however a story. I like it. But it really is not a story. The artwork is its saving grace and is unquestionably the best artwork in the entire magazine (not including the frontispiece by Bernie Wrightson).

Hallelujah! Although I’m not quite finished with this horse, yet. I feel are renewed vigor. I’m into the home stretch. There is only one more story to talk about and that one’s going to be pretty easy, because it’s a reprint. Yes kiddies, they didn’t even bother closing with something new.

The tale in question, Daddy And The Pie will have to wait for the next post. Only then will I be able to inflict the final whack.

Be careful driving home, and remember – time is nature’s way of keeping everything from happening at once.

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August 27, 2009

A High Point for Horror Comics (and hungry hell-hounds)

Filed under: Comic News, Comics Review, Horror Comics News, Horror News, Uncategorized — Tags: — nasty horror @ 3:48 am

Uncle creepy image angelo torresHowdy folks. Welcome to day three of the let’s-beat-Creepy-to-death marathon. Those of you with exceptional observational skills Might have noticed that this is actually day 5. It’s supposed to be 3 but sometimes things interfere with my ability to write. (Like not really wanting to.)

It’s kind of amazing how many ideas seem to be good at the time we have them, but once we have to keep doing them for a while they loose there initial charm.

Well let’s get to it. Today I shall ream Hell Hound Blues.

Just kidding! This story was wonderful. It was written by Dan Braun and illustrated by Angelo Torres. I was not able to find out much about Dan. He seems to have done some editing on other Dark Horse stuff, but I was unable to find other writing credits. Judging from how well this story was written, I have to believe that he has done some writing before.angelo torres creepy record guy

As for Angelo, it’s a weird story. When I first got Creepy issue #1 and started reading it, I was frankly appalled by the piece-of-shit opening story. When I got to the second story in the mag, Hell Hound Blues, I was expecting the worst. But I instantly liked the artwork. It looked very professional. Definitely done by someone who wasn’t just doing comics in their spare time. It also reminded me of the kind of art I had seen in MAD magazine, many years ago when it was still good.  Just take a look a the accompanying images and you will see what I mean. These are all from this story.

I know some of you are way ahead of me here, but I need to write it anyway. After much researching and checking and such, (I had originally looked through old Creepy magazines to find him) I could not. I remembered him, but the copies I had on hand just didn’t happen to have his stuff in them. I have many others but didn’t want to dig through all of them.

To the point, I found out that he started out at (I swore I would never mention them, but…) E.C.! He worked on the horror comics that are generally credited with starting them all. (they didn’t really, but that is a different post. Yes, kiddies, he worked on Tales From The Crypt and Vault Of Horror and such. Additionally and the reason for why it reminded me of MAD, he worked on…MAD.

angelo torres guy on creepy phoneI will not say that this was the best horror story ever, but it was certainly the best in this book. And it was completely fun and entertaining. I hope to see more stuff from the two of these guys, they compliment each other well. Dan seems to be writing with tongue firmly in cheek and Angelo draws comics that look like comics. It’s a great fit.

If everything else in this issue had sucked, this one story would have made the magazine worth buying.

Fortunately there was other good stuff, and to find out what it was, you need to come on back and read the rest of this series of posts. I will be hitting every story in the book.

Tomorrow’s post is going to be about Chemical 13. It is the story of Nazi hijinks involving poison gas and a room full of naked test subjects. (just keep telling yourself—it’s only a comic book)

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August 13, 2009

Return of the Cute Little Dead Girl (Lenore is back)

Lenore cover imageWelcome back, kiddies. Today as promised we’re going to be talking about Lenore.

Some of you may be saying "Hey! Why is he talking about Lenore? Lenore is not a horror comic!” To which I reply, "Hey! Why not calm the hell down? First of all the horror comic genre is too restrictive. And second of all, dark humor fits. And third of all, I like it and it’s my blog. So stop hollering at me!"

So for those of you who have been living in a cave or at the very least not going anywhere near a comic book store for about a hundred years, you may not know what Lenore is. It’s a comic book made by Roman Dirge. It’s about a little dead girl and her strange and varied friends and acquaintances. To really give you a handle on what this comic is like, imagine that Tim Burton did comics instead of movies. And that everything he did was actually good.

Although that seemed like a stretch when I wrote it, I have since recalled the drawings and such that Burton used to do, and they are really good. And very similar to Dirge’s stuff. Not in a copying way, but in a, these-guys-are-like-each-other way. And his early films where he did whatever he wanted were awesome. I personally like "Vincent" If you haven’t seen it, seek it out. So anyway…

I first came to Lenore, somewhere around 10 years ago, those of you who have been reading my blog for quite some time, should be aware that I don’t consider exact facts to be very important. So around 10 years ago is good enough, it could be five years. It could be 20 years, what difference does it make in the fullness of time?

The point is, a while back Roman made a series of comic books, called Lenore, and they were very thin and done in black and white. When I say black and white, I mean grayscale. The art was simplistic. Now I have, in the past, complained about bad art and much of the bad art that I complain about is simplistic. This may lead some of you believe that I think all simplistic art is crap. That’s not true at all.

Crappy art is crap. There is an infinite range of styles. They range from sparse design-like elements to fully rendered lush realism. And any of them can be good and any of them can be crap. It’s actually a very complex interplay of the emotions being conveyed and the artist’s skill-set in implementing it. You must also account for the intended audience and the context of when the piece was created. The first story in Dark Horse’s new Creepy issue #1 for example was crap. Not because it was simple, but because it didn’t work with the story. I realize this is not a review of Creepy. It was just so bad, I had to say it again.

Lenore with a horse shoeThe point is, Roman Dirge’s art is perfect for the story and the style and the mood of the comic. After a few years of there being no Lenore’s, a new comics company has picked it up. And they are now printing brand-new issues of Lenore, starting a new series. And this time it’s in color.

Now since I just got done saying that Roman’s art on the original was perfect for what it was doing, and it was black-and-white, you should understand why this kind of made me a little nervous. I heard that the new one would be color. I was afraid that the color would blow. And by blow, I mean, suck. Or even by some miracle do both simultaneously. Turns out I had nothing to fear.

Apparently Roman himself does, the coloring. I was afraid they would have handed it off to some coloring house in India or some such, and the colors would look as shitty as that Richard Corbin color insert stuff they used to do in the Warren Eerie magazines, back in the 70s. Now don’t get me wrong I love Richard Corbin, but the "color" parts of Eerie, blew.

No real reflection on Richard, a lot of the color printing done in that period of the 70s was pretty bad. (Interesting side note — Richard Corbin actually went on to do some of the most honored color work in comics. The stuff in which he actually used color as part of the art is some of his most beautiful stuff. And I will be talking about this in the future when I get around to doing a big piece on Richard Corbin. He, like Bernie Wrightson, is among my favorite artists ever. And I will be talking about all of these people at great length. In many posts.)

I’ve rambled on long enough. The whole point of this post is to announce the rebirth of Lenore in color and in a thicker magazine. The magazine has changed publishers, and is now being published by Titan books, a division of Titan publishing group Ltd., the cover price is $3.99. It also has, I can tell more pages than the older ones. It’s significantly thicker, but it has no page numbers. So I don’t know how many it has… All right… if you’re going to make a big thing out of it, hold on while I physically count them… 32, plus the cover sheet. (Happy now?)

Additionally it is printed on the most beautiful optically white uncoated paper. It looks amazing. Dark Horse could take a lesson from this. I don’t understand why they (Dark Horse) chose to use a coated stock for a one color print job that was a recreation of a magazine that was originally on uncoated paper. (bitching about Creepy again, sorry)

A big (and for me, welcome) change is the inclusion of advertising. Some would think that that’s a bad idea, but not me. In this case the advertising is for other publications along these lines. And it’s difficult to find this sort of thing. So I really view the ads as the publisher doing me a great favor. The ads are for things like the collected Lenore books. And these are some thick hardcovers, which just from the ads I can’t tell if they are collected comics or written for the books. Point is, it doesn’t matter. Its nice to know that they’re out there and will be on sale February 2010.

Now that I’m actually reading the ad, the books are reprints of the original comic series, and they have been colored. So you can bet that when February 2010 rolls around, I will buy both of them and review them. This, even though I own all the issues that are going to be reprinted in them. (What do you want to bet that they get a good review?)

This issue also has a preview of a new Roman Dirge Comic creation called Samurai Sloth. I will have to get that too. Although the magazine doesn’t say anything more than “Coming soon”.

I guess at this point, saying that I like Lenore and that I think Roman Dirge may be one of the funniest comic book writers I’ve ever read, might be kind of redundant. Go out and buy the new Lenore. If anything it may actually be better than the original series. The art is perfect. The writing is hysterical. If I could change anything about them. I would like them to be longer, or come out more often.(or in 3D. Everything’s better in 3D)

Oh before I go, Roman has a website where you can find all things Dirge-ish or Lenore-ish. It’s called spookyland.com. You can obviously get to it by clicking the previous sentence where it said spookyland.com or here where it says spookyland.com. See you next time.

…and remember to save those chicken livers!

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